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Aesthetics and the Embodied Mind: Beyond Art Theory and the - download pdf or read online

By Alfonsina Scarinzi

The undertaking of naturalizing human consciousness/experience has made nice technical strides (e.g., in mapping parts of mind activity), yet has been hampered in lots of situations by means of its uncritical reliance on a dualistic “Cartesian” paradigm (though as a number of the authors within the assortment indicate, assumptions drawn from Plato and from Kant additionally play a role). the current quantity proposes a model of naturalism in aesthetics drawn from American pragmatism (above all from Dewey, but in addition from James and Peirce)—one primed from the beginning to work out people not just as embodied, yet as inseparable from the surroundings they have interaction with—and offers a discussion board for authors from various disciplines to handle particular clinical and philosophical concerns in the anti-dualistic framework contemplating aesthetic adventure as a strategy of embodied meaning-making. Cross-disciplinary contributions come from major researchers together with Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino.

The quantity covers pragmatist aesthetics, neuroaesthetics, enactive cognitive technological know-how, literary reports, psychology of aesthetics, artwork and layout, sociology.

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Extra info for Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy

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25. K. Ogden. 1923. The meaning of meaning. New York: Harcourt Brace and Company. 26. Schulkin, Jay. 2011. Adaptation and well-being: Social allostasis. Cambridge: Cambridge University Press. 27. Sheets-Johnstone, Maxine. 1999. The primacy of movement. Amsterdam: John Benjamins. 28. Taub, Sarah. 2001. Language from the body: Iconicity and metaphor in American Sign Language. Cambridge: Cambridge University Press. 29. Tolstoy, Leo. 1896. What is Art? Trans. Almyer Maude. New York: MacMillan Publishing Company, 1960.

Johnson’s philosophy of embodied meaning and aesthetics advances a twofold hypothesis. First, “aesthetics is not just art theory, but rather should be regarded broadly as the study of how humans make and experience meaning because;” second, “the processes of embodied meaning in the arts are the very same that make linguistic meaning possible” (200). Dewey does much the same: The problem is that of effecting the union of ideas and knowledge with the non-rational factors [emotions and habits] in the human make-up.

2011. Flow of affective information in communicating brains. NeuroImage 54: 439–446. 26. , C. Goodwin, and C. LeBaron. 2011. Embodied interaction in the material world: An introduction. In Embodied interaction: Language and body in the material world, ed. J. Streeck, C. Goodwin, and C. LeBaron, 1–26. Cambridge: Cambridge University Press. 27. , E. Thompson, and E. Rosch. 1991. The embodied mind: Cognitive science and human experience. Cambridge, MA: MIT Press. 28. , J. Zlatev, and R. ). 2007. Body, language, and mind: Embodiment, vol.

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