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Download e-book for iPad: Buddhism and American Cinema by John Whalen-Bridge

By John Whalen-Bridge

Discusses either depictions of Buddhism in movie and Buddhist takes on quite a few films.

In 1989, a similar 12 months the Dalai Lama used to be provided the Nobel Peace Prize, a decade-long increase of flicks devoted to Buddhist humans, background, and tradition begun. providing the 1st scholarly remedy of Buddhism and cinema, the editors suggest that there are types of Buddhist movie: those who are approximately Buddhists and people who aren't. Focusing on modern American choices, the members expand a two-pronged process, discussing how Buddhism has been captured by means of administrators and featuring Buddhist-oriented reviews of the worlds represented in movies that will look to don't have any reference to Buddhism. movies mentioned variety from these set in Tibet, corresponding to Kundun and Lost Horizon, to these set good outdoors of any Buddhist milieu, corresponding to Groundhog Day and The Matrix. The participants clarify the Buddhist theoretical thoughts that emerge in those works, together with karma, the bardo, and reincarnation, and view them on the subject of interpretive suggestions that come with feminism, postcolonialism, and contemplative mental methods

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As a recurrent thread holding together this subjective yet authentic experience, the emphasis on Buddhism as perceived by the Vietnamese of Le Ly’s peasant class is foregrounded, taking precedence over more formal, doctrinal Buddhist theology. By examining the historic and cultural practices of peasant Buddhism, we see that Stone’s depiction of Le Ly’s beliefs, practices, and moral code as contextualized by a Buddhist framework is much more nuanced and realistic than understood by most American film critics.

Fu Manchu. Once again, a Buddhist object directs the viewer’s attention to things exotic and strange. In the following decade Buddha showed up in yet another crime drama, starring Lon Chaney Jr. and variously titled The Secret of Buddha and A Scream in the Night (1935). com/tcmdb/title/561646/Scream-in-the-Night/, accessed 1 November 2012. v=rGt2MD0drc0, accessed 1 November 1012. When I interviewed Mr. Penpa Tsering, the speaker of the house of the Tibetan government-in-exile’s parliament, about “soft power,” I asked about American celebrities who had been helpful to the Tibetan cause.

8 These films, we note, are all about persons or populations who are understood as victims of historical processes. Ly Le Hayslip’s autobiographical works about the turmoil she experienced as a result of war in Vietnam are the textual basis for the third film of Oliver Stone’s Vietnam trilogy. The two Tibet films released in 1997 mark the ascent of the Dalai Lama within the American imagination. First given permission to visit America in 1979, he won a Nobel Prize for peace ten years later and a Congressional Medal in 2007.

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