The Cambridge Companion to the Eighteenth-Century Novel

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Language: English

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And from particulars alone general laws cannot be formed. P consists of about a fifth of Genesis, substantial portions of Exodus and Numbers, and almost all of Leviticus. The sense for past people and cultures is not itself communicated whole and entire through their documents in such a way that would be open to historical analysis or source criticism. Other Spanish expeditions followed, including one from New Spain (Mexico) under L�pez de Villalobos, who in 1542 named the islands for the infante Philip, later Philip II.

Pages: 300

Publisher: Cambridge University Press (September 13, 1996)


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The imagination, in creating poetry, therefore echoes the creative principle underlying the universe", "meter turns out to be one of the products of that conflict and resolution of contraries", "the mirror and the lamp", M. Abrams, OUP. 1953, p.119,121 "The demands of metre allow the poet to say something which is not normal colloquial English, so that the reader thinks of the various colloquial forms which are near to it, and puts them together; weighting their probabilities in proportion to their nearness", William Empson, "Seven Types of Ambiguity" "Its verses are the liquid, billowy waves, ... always moving, always alike in their nature as rolling waves, but hardly are two exactly alike in size or measure (meter), never having the sense of something finished and fixed, always suggesting something beyond", Whitman, in "With Walt Whitman in Camden", Traubel. "The purpose of rhythm, it has always seemed to me, is to prolong the moment of contemplation, the moment when we are both asleep and awake", Yeats "The regular meter of formal poets is not a dull mechanical ticking, like a clock's; it coalesces out of the rhythms of randomly jotted phrases through a process of 'phase-locking'", Paul Lake in "The Measured Word", Kurt Brown (ed), Univ of Georgia Press, 2001, p.169 "most of the beauty of the lines and all their variety is gained by the skill with which the woof of speech-rhythm is continually thrown athwart the warp of the metrical type", Henry Newbolt, 1912 "The difference between the pattern of the line as speech and as metre is often recognised today as tension and is usually highly prized", Thompson, "The Founding of English Metre", Routledge, 1961, p.7 "The neo-formalists' perhaps unconscious exaltation of the iamb veils their attempt to privilege prevailing white Anglo-Saxon rhythms and culture", Ida Sadoff, Neo-Formalism: A Dangerous Nostalgia, APR, Jan 1990, p.8 "The purpose of rhythm, it has always seemed to me, is to prolong the moment of contemplation - the moment when we are both asleep and awake, which is the one moment of creation- by hushing us with an alluring monotony, while it holds us waking by variety", Yeats, "The Yeats Reader", edited by Richard J ref.: Short Stories for Students: download online

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